Showing posts with label storytelling. Show all posts
Showing posts with label storytelling. Show all posts

Thursday, May 23, 2013

Story Format


The format for presenting my stories is similar how I prepare my lesson plans.  An example is given below with highlighted annotations explaining each component and how I implement it in my classroom.

Structures: These are in past tense in order to facilitate more "natural" storytelling and exposure to a variety of verb tenses.
  • New Structures: Structures that will be introduced in this story.  I intended these to be the "notes" for the day as students copy them down as well as their translations.  I limit these to three per story.  If more are necessary, I create a new story with those.
    • había [un(a)]- There was/were (a)
    • quería - wanted
    • fue a - went to
  • Recent Structures: Structures that have been introduced in previous stories, but will likely need to be reviewed.  These will be included in the actual storytelling to build upon vocabulary and structures that have already been acquired and/or need more repetitions.
    • se llamaba - him/erself called s/he (he called himself)
    • era - (S/he) was
    • tenía - had
PQA:These are in present tense to facilitate normal conversation.
  • Hay un(a): Structures that do not lend themselves to the various forms listed below are worked into personalized questions in other ways which are noted.
    • action - hand over eye and point to something An action is added to most important words through the TPR method and used throughout stories and communication to facilitate comprehensible input
    • Have students stand up and tell them "Hay un(a) chic@."
    • After this is done a few times, ask it as a question: "¿Hay un(a) chic@?" and students reply with "Sí" or "No."  Model correct answer in a complete sentence.
    • Expand to ask ¿Qué hay? and have students respond with "chic@" or "Hay un(a) chic@."  Model correct response.
    • Expand to other easy objects (cognates/basic words) with props or pictures (dog, cat, elephant, banana, etc., first asking yes or no questions and progressing to open-ended questions.
  • Quiere: 
    • Action - palms up wiggling fingers
    • Question/responses:Most structures are manipulated into a present tense question (you form), a correct response pattern (I form), and how I will report student responses to the class (3rd person).  I write the following on the board, model them, and translate them briefly with the class.
      • ¿Qué / quier/es? = What/want/you? (What do you want?)
        • Shouting/calling to someone I add a chant or song to the question so that the entire class can ask it together.  I recommend repeating the phrase at least twice so students can join in on the second one if they miss the first time.
      • Quier/o________. = Want/I _______. (I want...)
      • Quier/e_______. = Wants/ s/he ______. (S/he wants...)
    • Through a process of adding a chant/song to the question and allowing the entire class to participate, students are asked the question, allowed to create a personalized response, and the response is then reported to the class.  The class responds chorally to what the person said.  For example:
      • Chant the question (¿Qué quieres?) two times, and point to a student.  Ask "¿Qué quieres?"
      • Student responds: "Quiero...."
      • Report to the class: "(name) quiere...."
      • Class responds
  • Va a:
    • Action: sweep hand away with "V" fingers
    • Question/response
      • ¿Adónde vas? = To where go you?
        • Watch Señor Wooly's "¿Adónde vas?" Occasionally, I will include resources I find helpful for teaching these phrases.
        • Sing (like Señor Wooly video): "¿Adónde vas? ¿Adónde, adónde vas?"
      • Voy a_____. = I go to...
        • Prompts: "Voy a WalMart/McDonald's/Disneylandia." For when students get stuck trying to respond, I model "sample" answers they can either copy or manipulate
      • Va a______. = S/he goes to...

Story: This is a story template limited to only the structures students have already learned.  Feel free to change and add details as you like.  In planning, I'll stick to using mostly the new and most recent structures, but keep the older structures in front of me for adding details about the characters and what's happening.  When I want more details, I'll look at the recent/old structures and ask for a new detail using those structures (hint: if you're using the "structure cards" on my tips page, the students often do this for you!).  I may add a few of these detail here, but it'll really be up to you and your class which details are added.  English translations are in red after each paragraph.  When I have my own class, I will also provide examples of how my students personalized the story.  Again, these stories are in past tense so that students are exposed to all verb tenses.  Shelter vocabulary, not grammar!
Había un elefante.  El elefante se llamaba Tiny.  Tiny era un elefante muy, muy grande.  Había un problema.  Tenía dos bikinis azules, pero quería un bikini rosado.  No tenía un bikini rosado.  Era un problema grande.
There was an elephant.  The elephant called himself Tiny. Tiny was an elephant that was very, very big.  There was a problem.  He had two blue bikinis, but he wanted a pink bikini.  He didn't have a pink bikini.  It was a big problem.

After setting up the story, the remaining paragraphs can repeat as many times as you'd like.  I design my stories so you can copy and paste and then change the details.  If students are getting it and you want to complete the story, limit the number of paragraphs.  If students need more practice, keep adding the paragraphs to include the structures!

Tiny fue a Alaska.  En Alaska, había un gato.  El gato se llamaba Whiskers y era un gato pequeño.  Whiskers no tenía un bikini porque no había bikinis en Alaska.  Tiny quería un bikini.  Había un problema.
Tiny went to Alaska.  In Alaska, there was a cat.  The cat called himself Whiskers and was a little cat.  Whiskers didn't have a bikini because there weren't bikinis in Alaska.  Tiny wanted a bikini.  There was a problem.

Fue a California.  En California, había un perro.  El perro se llamaba Clifford y era un perro grande y rojo.  Clifford tenía bikinis, pero no tenía bikinis rosadas.  Tenía bikinis negras.  Tiny quería un bikini rosado.  Había un problema.
He went to California.  In California, there was a dog that calls himself Clifford.  Clifford was a big, red dog.  Clifford had bikinis, but he didn't have pink bikinis.  He had black bikinis.  Tiny wanted a pink bikini.  There was a problem.

Fue a Hawaii.  En Hawaii, había una chica.  La chica se llamaba Suzie y era una chica baja, pero muy bonita.  Tenía muchos bikinis.  Tenía bikinis negros, azules, rojos, y rosados.  Tiny quería un bikini rosado.  No había un problema.  El fin.
He went to Hawaii.  In Hawaii, there was a girl that called herself Suzie.  Suzie was short, but very pretty.  She had many bikinis.  She had black, blue, red, and pink bikinis.  Tiny wanted a pink bikini.  There was not a problem.  The end.

Wednesday, May 1, 2013

Stories

I highly recommend first visiting My Story Format to understand how I have formatted my stories and lesson plans.

Look!  I can Talk! (LICT) Series - Blaine Ray

This story series matches the phrases used in Blaine Ray's "NEW Mini-stories for Look, I Can Talk!" Extended Reading and Exercises for Look, I Can Talk! for Spanish 1.  While there is a teachers guide intended to be used with this book, these particular structures and corresponding stories are pulled directly from the extended reading so that the stories and reading would support one another more closely.  Occasionally, it seemed that more than one story would be necessary to cover the important new phrases used in the extended reading.

While I've decided to start fresh now that I have a new list of structures that I like better, you can still find my initial attempt and creating stories for the LICT series here.


Novels
For a while, I thought I would pull my structures directly from novels, teach them for a quarter, and then finish the quarter reading the novel.  However, I found that there wasn't enough
We will be doing a novel-based curriculum, so I plan to pull my structures from the novels we are reading.  I ordered all of Blaine Ray's middle school and Spanish 1 novels ordered, so I'm currently reading them and pulling out structures as well as culture topics to discuss.  Upon receiving my order, I've tentatively decided to center my curriculum around the Pobre Ana series and use the other novels as part of my class library (I discussed this in this post).  Click below for my stories and ideas!

Thursday, April 25, 2013

Wednesday, April 10, 2013

The Importance of PQA


Here's an insight that took me a long time to realize:

Students acquire structures during PQA.  It's easy to "go through the motions" with PQA and move straight into the storytelling (that's what TPR Storytelling is all about, isn't it?), thinking the students will learn the structures as long as you use them and circle them enough within the stories.  However, the stories work best when they're seen more as the application of material already learned through PQA.  Previously, I've primarily focused on the stories and the result was that, while students could tell stories and personalize them, they still couldn't communicate with one another through asking and responding to questions in a conversation format (they also didn't know the structures as well as I wanted them to, which is related but wasn't my main concern.  I was most concerned that, even though they knew all this Spanish, they couldn't carry on a conversation!).  I thought that they would learn the "yo" and "tú" forms through my dialogue with characters during the story but later realized that, if I was doing PQA effectively, they would recognize all the conjugation patterns to some extent before we even got to the story.  Moreover, that's why parallel characters are important - they arise through PQA and we're able to see the same structures in many different ways through the development and description of the parallel characters.  It's a Bloom's Taxonomy-like principle: First the students hear the same fairly isolated structure the same way in the same context (establishing meaning through translating and possibly TPR), then in different ways in the same context while still semi-isolated (circling), then different ways in different context and still semi-isolated (parallel characters, and, finally, in different ways in changing contexts (during the story).

One of my goals this year is to make sure I have my students solid at each step before proceeding to the next step - in other words, I need to make sure my students have the PQA phase of a lesson down before venturing into the storytelling phase.  In fact, I'll be setting aside an entire day for PQA now - it'll be interesting to see the results!

Friday, April 5, 2013

Pobre Ana: Story 8 - Making an impression

Structures:
Story:
Había una chica que se llamaba Isabel.  Quería un novio.  Le gustaba Brad Pitt, pero a Brad Pitt no le gustaba Isabel.  Isabel tenía que hacer algo.

Isabel fue a la casa de Brad Pitt.  A Brad Pitt le gustaban chicas que bailaba.  Isabel nunca bailaba.  Pero, tenía que hacerlo.  Isabel bailó mucho en la casa de Brad Pitt.  Brad Pitt la miró.  Brad Pitt estaba sorprendida porque Isabel estaba bailando en la cabeza.  Isabel no estaba bailando bien.  A Brad Pitt, no le gustaba Isabel.  Isabel estaba triste.  Tenía que hacer algo diferente.

Isabel fue a la casa de Brad Pitt.  A Brad Pitt le gustaban chicas que cantaban.  Isabel nunca cantaba.  Pero, tenía que hacerlo.  Isabel cantó mucho en la casa de Brad Pitt.  Brad Pitt la miró.  Brad Pitt estaba sorprendida porque Isabel estaba cantando como Shakira.  Isabel estaba cantando bien.  A Brad Pitt le gustaba Isabel.  Isabel estaba contenta.  No tenía que hacer algo diferente.

Sunday, March 31, 2013

Pobre Ana: Story 7 - Transportation in Africa

Structures:
Story
Había una chica que se llamaba Jane.  Trabajaba en McDonalds en Africa.  Cada día tomaba su tigre e iba a su trabajo.  Antes del trabajo, se subía a su tigre, iba a McDonalds, y se bajaba de su tigre.  Después del trabajo, se subía a su tigre, iba a su casa, y se bajaba de su tigre.  Pero, había un problema.  El tigre quería comer a Jane.  Necesitaba otra manera de transportación.

Tenía un hipopótamo.  Jane siempre tomaba el tigre e iba a McDonalds.  Nunca tomaba el hipopótamo e iba a McDonalds, pero se subió a su hipopótamo, fue a McDonalds, y se bajó de su hipopótamo.  Después del trabajo, se subió a su hipopótamo, fue a su casa, y se bajó de su hipopótamo.  Pero, había un problema con el hipopótamo.  Era muy, muy odoroso y Jane estaba triste.  Necesitaba otra manera de transportación.

Tenía una girafa.  Jane siempre tomaba el tigre e iba a McDonalds.  Nunca tomaba su girafa e iba a McDonalds, pero se subió a su girafa, fue a McDonalds, y se bajó de su girafa.  En la tarde, se subió a su girafa, fue a su casa, y se bajó de su girafa.  No había un problema.  La girafa estaba perfecta y Jane estaba contenta.  No necesitaba otra manera de transportación.

Saturday, March 30, 2013

Storytelling Self-Evaluation


Reblogged from Señorita Barragán:
I had to clip this to my Evernote the other night:
Self-Evaluation
Photo credit: twitter.com/soccermom2013
Fabulous find. Thank you @soccermom2013! I’d heard of guided notes during storytelling (students write down target vocabulary, jot down main points of the story, such as main characters, the conflict, etc., draw pictures, and write a summary), but I think I’m more likely to utilize something like this as the occasional exit slip. I took the liberty of creating a file to share. You can download it below:

Inklewriter Story!

I created my first Inklewriter story, complete with personalized details and circling!  Once I got the hang of it, it's pretty easy to use and brilliantly designed.  This goes with Pobre Ana: Story 1 - María the Theif.  Check it out!

"The Theif" Inklewriter Story

Some possible uses for these:

  • Out of class reading activity
  • Make-up for students who miss the story
  • Help with storytelling in-class (you could add additional details and circling, act it out, etc)
  • In-class reading activity
And I'm sure there are many more applications!

Just a tip:  Decide what you want to circle and personalize carefully.  Each detail that is circled or personalized adds more work!

Pobre Ana: Story 6 - A Dress for Helga

Structures
Story
Había un hipopótamo que se llamaba Hugo.  Hugo quería un vestido para su novia, Helga.  A Helga, le gustaba un vestido azul con patos verdes.  Vestidos azules con patos verdes estaban en JC Penny, El Gap, y Marina Vieja de Guerra.  Había un problema. Hugo no tenía dinero.  No podía pagar con dinero.  Pero, tenía 428 iPods.  Tenía iPods verdes con diamantes, iPods rosados con flores, y un iPod de oro.  Iba a pagar con los iPods.
There was a hippopotamus that called himself Hugo.  Hugo wanted a dress for his girlfriend, Helga.  To Helga, to her was pleasing a blue dress with green ducks.  Blue dresses with green ducks were in JC Penny, The Gap, and Old Navy.  There was a problem.  Hugo didn't have money.  He couldn't pay with money.  But, he had 428 iPods.  He had green iPods with diamonds, pink iPods with flowers, and an iPod of gold.  He was going to pay with the iPods.

Hugo fue a JC Penny.  En JC Penny, había un gato que se llamaba Gloria.  Gloria tenía el vestido azul con patos verdes.  Quería $2,793 para el vestido, pero Hugo no podia pagar con dinero.  Iba a pagar con los iPods verdes con diamantes, pero a Gloria no le gustaban los iPods.  Hugo no podía pagar.
Hugo went to JC Penny.  In JC Penny, there was a cat that called herself Gloria.  Gloria had the blue dress with green ducks.  She wanted $2,793 for the dress, but Hugo couldn't pay with money.  He was going to pay with the green iPods with diamonds, but to Gloria to her weren't pleasing the iPods.  Hugo couldn't pay.

Hugo fue al Gap.  En El Gap, había un pero que se llamaba Pepe.  Pepe tenía el vestido azul con patos verdes.  Quería $678 para el vestido, pero Hugo no podia pagar con dinero.  Iba a pagar con los iPods rosados con flores, pero a Pepe no le gustaban los iPods.  Hugo no podía pagar.
Hugo went to The Gap.  In The Gap, there was a dog that called herself Pepe.  Pepe had the blue dress with green ducks.  He wanted $678 for the dress, but Hugo couldn't pay with money.  He was going to pay with the pink iPods with flowers, but to Pepe to him weren't pleasing the iPods.  Hugo couldn't pay.

Hugo fue a Marina Vieja de Guerra.  En Marina Vieja de Guerra, había una ballena que se llamaba Beluga.  Beluga tenía el vestido azul con patos verdes.  Quería $781 para el vestido, pero Hugo no podia pagar con dinero.  Iba a pagar con el iPod de oro.  A Beluga le gustaba mucho el iPod de oro.  Hugo podía pagar y tomó el vestido azul con patos verdes para su novia.
Hugo went to Old Navy.  In Old Navy, there was a whale that called herself Beluga.  Beluga had the blue dress with green ducks.  He wanted $781 for the dress, but Hugo couldn't pay with money.  He was going to pay with the iPods of gold.  To Beluga to him was pleasing the iPod of gold.  Hugo could pay and took the blue dress with green ducks for his girlfriend.

Friday, March 29, 2013

Pobre Ana: Story 5 - A Boyfriend for Linda

Structures:
Había una chica que se llamaba Linda.  Quería un novio alto y guapo.  Pero, había un problema.  Pasaba poco tiempo con chicos.  Necesitaba pasar más tiempo con chicos para tener un novio.  Su mamá le dio a Linda cinco boletos del teatro en Broadway.  Eran para "La fantasma de la ópera."   Linda llevó los boletos a la escuela.  
There was a girl that called herself Linda.  She wanted a tall and handsome  boyfriend.  But, there was a problem.  She passed/spent a little bit of time with boys.  She needed to pass/spend more time with boys to have a boyfriend.  Her mom to her gave to Linda five tickets to the theater on Broadway.  They were for "The Phantom of the Opera." Linda took the tickets to the school.

Llevó cinco boletos a la clase de historia.  Frankie estaba en la clase.  Frankie era alto, pero no era guapo.  Linda pasaba poco tiempo con Frankie.  Le dio un boleto a Frankie. 
She took five tickets to the class of history.  Frankie was in the class.  Frankie was tall, but not handsome.  Linda passed a little bit of time with Frankie.  To him she gave a ticket to Frankie.
Llevó cuatro bolets a la case de matemáticas.  Chucky estaba en la clase.  Chucky era alto y guapo, per era un chico malo.  Linda pasaba poco tiempo con Chucky.  Le dio un boleto a Chucky.  
She took four tickets to the class of math.  Chucky was in the class.  Chucky was tall and handsome, but was a bad boy.  Linda passed a little bit of time with Chucky.  To him she gave a ticket to Chucky.
Llevó tres boletos a la clase de ciencias.  Victor estaba en la clase.  Victor era guapo, pero no era alto.  Linda pasaba poco tiempo con Victor.  Le dio un boleto.  
She took three tickets to the class of science.  Victor was in the class.  Victor was andsome, but not tall.  Linda passed a little bit of time with Victor.  To him she gave a ticket to Victor.
Llevó dos boletos a la clase de español.  Jeffrey estaba en la clase.  Jeffry era una girafa muy, muy alta y guapo.  Linda pasaba poco tiempo con Jeffry.  Le dio un boleto a Jeffrey.
She took two tickets to the class of Spanish.  Jeffrey was in the class.  Jeffry was a very, very tall and handsome giraffe.  Linda passed a little bit of time with Jeffrey.  To him she gave a ticket to Jeffrey.
Tenía uno más boleto para ella misma.
She had one more ticket for herself.

En la noche, fue a Broadway.  Llevó el boleto al teatro.  No había nadie en frente del teatro. Así, pasaba poco tiempo en la fila.  Le dio el boleto a un hombre del teatro y fue al show.  En el teatro estaba Jeffrey la girafa.  Pasó mucho tiempo con Jeffrey y eran novios.
In the night, she went to Broadway.  She took the ticket to the theater.  There wasn't anybody in front of the theater.  So, she passed a little bit of time in the line.  To him she gave the ticket to a man of the theater and wen to the show.  In the theater was Jeffrey the giraffe.  She passed much time with Jeffrey and they were boyfriend and girlfriend.

Pobre Ana: Story 4 - Chucky's Chocolate


Structures:
Story:
Había un chico malo que se llamaba Chucky.  Siempre comía chocolate.  Siempre le gritaba a su mamá: "¡Quiero chocolate!"  Siempre le gritaba a su papá: "¡Quiero chocolate!"  Siempre le gritaba a su maestra: "¡Quiero chocolate!"  Nunca comía otras cosas.
There was a bad boy that called himself Chucky.  He always ate chocolate.  He always yelled at his mom: "I want chocolate!"  He always yelled at his dad: "I want chocolate!"  He always yelled at his teacher: "I want chocolate!"  He never ate other things.

Un día, Chucky fue a su mamá y le grito: "¡Quiero chocolate!" porque siempre comía chocolate.  Pero, su mamá no tenía chocolate.  Chucky buscó el chocolate en la casa, pero no lo encontró.  Encontró un calcetín.  Nunca comía calcetines, pero tenía hambre y lo comió.  No estaba contento.
One day, Chucky went to his mom and to her yelled: "I want chocolate!" because he always ate chocolate.  But, his mom didn't have chocolate.  Chucky looked for the chocolate in the house, but didn't find it.  He found a sock.  He never ate socks, but he had hunger and ate it.  He wasn't happy.

Chucky fue a su papá y le grito: "¡Quiero chocolate!" porque siempre comía chocolate.  Pero, su papá no tenía chocolate.  Chucky buscó el chocolate en su carro, pero no lo encontró.  Encontró dinero.  Nunca comía dinero, pero tenía mucho hambre y lo comió.  No estaba contento.
Chucky went to his dad and to him yelled: "I want chocolate!" because he always ate chocolate.  But, his dad didn't have chocolate.  Chucky looked for the chocolate in his car, but didn't find it.  He found money.  He never ate money, but he had much hunger and ate it.  He wasn't happy.

Chucky fue a su maestra y le grito: "¡Quiero chocolate!" porque siempre comía chocolate.  Pero, su maestra no tenía chocolate.  Chucky buscó el chocolate en el baño, y lo encontró.  Encontró chocolate raro y largo.  Lo comió.  Nunca comía chocolate otra vez.
Chucky went to his teacher and to her yelled: "I want chocolate!" because he always ate chocolate.  But, his teacher didn't have chocolate.  Chucky looked for the chocolate in the bathroom (or trash can) and found it.  He found strange and long chocolate.  He ate it.  He never ate chocolate again.

Pobre Ana: Story 3 - Frederick's Marvelous Hat

Structures:
Story:
Había un dragón.  Se llamaba Frederick.  Quería un sombrero maravilloso.  Lo necesitaba para la fiesta de Justin Beiber.  Vio muchos sombreros maravillosos en las cabezas de personas famosas, y quería el sombrero perfecto.  Pero, había un problema.  Frederick nunca compraba nada porque no tenía dinero.
There was a dragon.  He called himself Frederick.  He wanted an marvelous hat.  He needed it for the party of Justin Beiber.  He saw many marvelous hats on the heads of famous people, and he wanted the perfect hat.  But, there was a problem.  Frederick never bought anything because he didn't have money.

Fue a Deseo Bueno.  En Deseo Bueno, vio muchos sombreros maravillosos.  Había un sombrero azul con diamantes.  Era perfecto.  Lo necesitaba para la fiesta de Justin Beiber.  El precio era $2,000, pero había un problema.  Frederick nunca compraba nada porque no tenía dinero.  Había otro problema.  Frederick vio a la policía en frente de Deseo Bueno.  Así que, no lo tomó.
He went to Goodwill.  In Goodwill, he saw many marvelous hats.  There was a blue hat with diamonds.  It was perfect.  He needed it for the party of Justin Beiber.  The price was $2,000, but there was a problem.  Frederick never bought anything because he didn't have money.  There was another problem.  Frederick saw the police in front of Goodwill.  So, he didn't take it.

Fue a Walmart.  En Walmart, vio muchos sombreros maravillosos.  Quería el sombrero rojo con gatos.  Era perfecto.  Lo necesitaba para la fiesta de Justin Beiber.  El precio era $42, pero había un problema.  Frederick nunca compraba nada porque no tenía dinero.  Pero, Frederick no vio a la policía en frente de Walmart.  Así que, lo tomó.
He went to Walmart.  In Walmart, he saw many marvelous hats.  He wanted the red hat with cats.  It was perfect.  He needed it for the party of Justin Beiber.  The price was $42, but there was a problem.  Frederick never bought anything because he didn't have money.  But, Frederick didn't see the police in front of Walmart.  So, he took it.

Pobre Ana: Story 2 - Tiny the Elephant

Structures:
  • New structures:
    • vivía en ______, pero estaba en ______
    • estaba (feeling)
    • tenía ______
  • Recent structures:
PQA:

Story:
Había un elefante.  El elefante se llamaba Tiny.  Tiny era un elefante muy, muy grande.  Vivía en Hollywood, CA.  Estaba en la playa y estaba triste.  Había un problema.  Tenía dos bikinis azules, pero quería un mini bikini rosado.  No tenía un mini bikini rosado.  Era un problema grande.
There was an elephant.  The elephant called himself Tiny.  Tiny was a very, very big elephant.  He lived in Hollywood, CA.  He was on the beach and he was sad.  There was a problem.  He had two blue bikinis, but he wanted a pink mini-bikini.  He didn't have a pink mini-bikini.  It was a big problem.

Así que, Tiny fue a Alaska.  En Alaska, había un gato.  El gato se llamaba Whiskers y era un gato pequeño.  Whiskers vivía en Alaska, pero Tiny no vivía en Alaska.  Vivía en California, pero estaba en Alaska.  Estaba triste.  Whiskers no tenía un mini bikini rosado porque no había bikinis en Alaska.  Tiny quería un mini bikini rosado.  Había un problema.
So, Tiny went to Alaska.  In Alaska, there was a cat.  The cat called himself Whiskers and was a little cat.  Whiskers lived in Alaska, but Tiny didn't live in Alaska.  He lived in California, but he was in Alaska.  He was sad.  Whiskers didn't have a pink mini-bikini because there weren't bikinis in Alaska.  Tiny wanted a pink mini-bikini.  There was a problem.

Así que, fue a Florida.  En Florida, había un perro que se llamaba Clifford.  Clifford era un perro grande y rojo.  Clifford vivía en Florida, pero Tiny no vivía en Florida.  Vivía en Californa, pero estaba en Florida.  Estaba triste.   Clifford tenía bikinis, pero no tenía mini bikinis rosados.  Tenía mini bikinis negros.  Tiny quería un mini bikini rosado.  Había un problema.
So, he went to California.  In California, there was a dog that calls himself Clifford.  Clifford was a big, red dog.  Clifford lived in Florida, but Tiny didn't live in Florida.  He lived in California, but was in Florida.  He was sad.  Clifford had bikinis, but he didn't have pink mini-bikinis.  He had black mini-bikinis.  Tiny wanted a pink mini-bikini.  There was a problem.

Así que, fue a Hawaii.  En Hawaii, había una chica que se llamaba Suzie.  Suzie era baja, pero muy bonita.  Suzie vivía en Hawaii, pero Tiny no vivía en Hawaii.  Vivía en California, pero estaba en Hawaii.  Estaba contento.  Suzie tenía muchos mini bikinis.  Tenía mini bikinis negros, azules, rojos, y rosados.  Tiny quería un mini bikini rosado.  No había un problema.
So, he went to Hawaii.  In Hawaii, there was a girl that called herself Suzie.  Suzie was short, but very pretty.  Suzie lived in Hawaii, but Tiny didn't live in Hawaii.  He lived in California, but he was in Hawaii.  He was happy.  She had many mini-bikinis.  She had black, blue, red, and pink mini-bikinis.  Tiny wanted a pink mini-bikini.  There was not a problem.

Thursday, March 28, 2013

Pobre Ana: Story 1 - Maria the Theif

Structures:
  • New Structures
    • era un(a) ______
    • había un problema
    • quería un(a) ______
    • fue a ______
  • Recent Structures:
PQA
  • es:
    • Write on board: ¿Eres tú un(a)______?/Soy un(a) ______./Es un(a) ________.
    • Translate with class on board and add actions (point to person you're referring to)
    • Chant ¿Eres tú? ¿Eres tú? the question two times (pointing to a student on "tú") and add on noun to complete the question (tell the students what you're asking if s/he is before and invite them to ask the complete question with you)
      • Student responds: "Sí, soy un(a)______." OR "No, no soy un(a)______"
        • Prompts: "¿Sí o no?"
      • Report to the class: "(No) es un(a)..."
      • Class responds - follow up to find out more
        • finding out what they are, including "¿Qué eres?"
        • finding out more detailed descriptions of what they are by adding color with yes, no, or what questions
  • Hay un(a):
    • Write "hay un(a)" on the board, translate, and add action (cover eye and point to something)
    • Have students stand up and tell them "Hay un(a) chic@."
    • After this is done a few times, ask it as a question: "¿Hay un(a) chic@?" and students reply with "Sí" or "No."  Model correct answer in a complete sentence.
    • Expand to ask ¿Qué hay? and have students respond with "chic@" or "Hay un(a) chic@."  Model correct response.
    • Expand to other easy objects (cognates/basic words) with props or pictures (dog, cat, elephant, banana, etc., first asking yes or no questions and progressing to open-ended questions.
  • Quiere:
    • Write on board: ¿Qué quieres?/Quiero________./Quiere_______.
    • Translate with the class on the board and add actions (palms up wiggling fingers)
      •  ¿Qué / quier/es? = What/want/you? (What do you want?)
      • Quier/o________. = Want/I _______. (I want...)
      • Quier/e_______. = Wants/ s/he ______. (S/he wants...)
    • Add chant to "¿Qué quieres?"
    • Chant the question two times, and point to a student.  Ask "¿Qué quieres?"
      • Student responds: "Quiero...."
      • Report to the class: "(name) quiere...."
      • Class responds
  • Va a:
    • Write on board: ¿Adónde vas?/Voy a_____./Va a______.
    • Watch Señor Wooly's "¿Adónde vas?" video.
    • Translate with class on board and add actions (sweep hand away with a "V")
      • ¿Adónde vas? = To where go you?
      • Voy a_____. = I go to...
      • Va a______. = S/he goes to...
    • Sing (like Señor Wooly video) "¿Adónde vas? ¿Adónde, adónde vas?"
    • Chant the question two times, and point to a student.  Ask "¿Adóne vas?"
      • Student responds: "Voy a..." (prompts: "Voy a WalMart/McDonald's/Disneylandia."
      • Report to the class: "(name) va a..."
      • Class responds
Story:
Había una chica.  Se llamaba María.  Había un problema.  María era una chica pobre.  No había dinero en la casa de Maria.  Quería mucho dinero.
There was a girl.  She called herself Maria.  There was a problem  Maria was a poor girl.  There wasn't money in the house of Maria.  She wanted much money. 

Así que, fue a Banco de América.  Había un problema.  Banco de América era un banco pobre.  No había mucho dinero en Banco de América.  María quería mucho dinero.  Así que, no tomó dinero de Banco de América.
So, she went to Bank of America.  There was a problem.  Bank of America was a poor bank.  There wasn't much money in Bank of America.  Maria wanted much money.  So, he didn't take money from Bank of America.

Así que, fue a US Banco.  US Banco era un banco rico.  Había mucho dinero en US Banco.  María quería mucho dinero.  Pero, había un problema.  No había dinero en la cuenta de María.  Así que, robó mucho dinero de US Banco.  Había mucho dinero en la casa grande y nueva de María.
So, she went to US Bank.  US Bank was a rich bank.  There was much money in US Bank.  Maria wanted much money.  But, there was a problem.  There wasn't money in the account of Maria.  So, she robbed much money of US Bank.  There was much money in the big, new house of Maria.

Pobre Ana

While reading through Pobre Ana, I made a list of the structures that are used throughout the book.  Not all of them are included, but this is a fairly comprehensive list of the most important structures used.  I narrowed my list down to what I could tell stories about for approximately a quarter and grouped them together by what made sense for a story as well as a rough order for presentation due to necessity and complexity.  I  plan to teach these structures using stories and then sum up our learning by reading the book as a class during the final week of the quarter.  

Finally, at the bottom, I listed all of the cultural topics I found in the book that students could research and present to the class.  


Structures/Stories:



Culture Topics:
  1. Passports and travelling abroad
  2. Poverty in Mexico
  3. Transportation
  4. Mexican states
  5. addresses in Mexico and other countries
  6. utilities (power/hot water/etc)
  7. homes in Mexico
  8. Tepic, Nayarit
  9. recreation (exercises, swimming with clothes on)
  10. food
  11. money
  12. music
  13. dances
  14. schools
  15. greetings and gestures
  16. accents and regionalisms
Patricia Va a California
Culture
  1. Guatemala
  2. Panajachel, Guatemala
  3. Lago Atitlán
  4. tourists
  5. volcanoes
  6. indígenas
  7. poverty
  8. school
  9. huipiles y cortes
  10. colors of clothing to represent town
  11. seasons of the year
  12. work

Sunday, March 24, 2013

Props!

Props really enhance storytelling as students enjoy playing with the toys and costumes and are inspired to add new details.  My cooperating teacher had a wonderful supply of props and accessories, and I'm excited to start gathering my own!  I called my mom and asked her if my 300-item Beanie Baby collection had ever gotten donated.  By some miracle, it's stayed in my old bedroom for the last 5 years, so it'll be my jump-start animal collection for stories!  Gotta love Beanie Babies :)  I also stopped by Deseret Industries and picked up these lovely fellows:


They'll make excellent story-telling characters/props since the words are easy cognates that students remember (mono, girafa, y hipopótamo) and they have a lot of character.  The hippo sits up on his own, but looks grumpy/sad all the time.  The giraffe is happy, and those horns are perfect handles for riding him somewhere.  And the monkey is simply cute, pink, and funny-looking with really long arms and legs that even have velcro on them so we can make him hang on to things.  When I mentioned I was getting these for my class, the cashier asked what grade I taught.  She wasn't expecting my answer: middle and high school!  I love my job :D

Friday, March 22, 2013

Classroom Story Books

While coming up with ideas for my class library for free-choice reading, I'm tackling the issue of providing materials that are interesting for students while still being comprehensible.  Using childrens or other books, particularly for beginners, is difficult because they often contain strange and unusual words or ideas that are really not necessary or even helpful for devloping fluency.  Mreover, students will get discouraged when struggling to read books meant for children much younger than them.    One solution I plan to use is by providing leveled readers designed specifically for second-language learners, such a Blaine Ray's mini stories and novels.  I fact, I've got an entire set of beginner Spanish books from his site on the way to read and select my favorites to order for the class!   I've also been toying with the idea of providing my own reading materials based on the structures and stories used in my own classroom, which led me to this idea...

At the end of each year, I want to type up and bind/publish a collection of all the stories created within a class.  We would record each story we tell and each class would have their own book.  I imagine that many students would probably want their own copy as well, which would be an excellent resource to show evidence of and review what they learned that year.  

got even more excited when thinking about how to get these recorded - In a combination of ideas from the MoreTPRS listserv, I plan to assign three students each story day to re-write the story from class in Spanish (I might consider dong it in English for the first few weeks in Spanish 1) and create an illustration.  I would be willing to take volunteers for the three people assigned that day to do it to ensure I got at least one version back, but I would probably require each student to submit a mininum number of re-writes whenever they wanted to throughout the semester as part of their citizenship grade.

 Edmodo would be great for this (though illustrations would probably need to be turned in on paper) as students can submit their stories that night and I can provide individualized feedback on their writing.  The next day, for review, I could also edit/combine the stories and hand out correct versions of a few stories for students to read and review the story from the day before.  Ultimately, I would create one "master" version that I would combine with the illustrations to go into the class story book to be published at the end of the year.  I love this idea because we can do so much with it with listening, reading, and reviewing, as well as create so many personallized resources for the class and that students will love to have for themselves!

Tuesday, March 12, 2013

Sample Lesson Plan 1


Lesson Plan
  • Date: March 10, 2013
  • Class: Spanish 1
  • Lesson #: 1.1.2 – PQA and Story
  • Objectives: Converse using structure-based questions, answers, and responses.  Listen to a story and respond accurately to comprehension questions.
  • Evaluation: Students will respond correctly and appropriately as well as illustrate the story told in class.
  • Resources/Technology: Structure Cards, ¿Adónde vas? music video, Props and Costumes
  • State Standards: WL1.1.1.1: Comprehend basic vocabulary in isolation and in context.; WL1.1.1.2: Capture essential information from everyday conversations and short passages; WL1.1.2.2: Express preferences, desires, opinions, and feelings.
Posted Agenda:
    1. Pruebita
    2.  Story 1.1.2
Lesson Plan:

  1. Pruebita (10 minutes) - take attendance during this time
    • On page 12 of your IN (Interactive Notebook), copy and translate these sentences:
      • Se llama Jessica.
      • Jessica es una chica.
      • Tiene tres perros.
    • Correct and graph your score in your IN.
  2. Story 1.1.2 (65 minutes)
    • Post new structure cards on the board and translate.  Students copy onto page 23 of their IN. (5 minutes)
      • había
      • quería
      • fue a
    • PQA (25 minutes)
    • Ask a Story (35 minutes)
  3. Closure (15 minutes)
    • Review the entire story and write it on the board.  Students copy the story onto page 22 of their IN.
    • Draw two lines page 22 that divide the remaining blank part of the page into 4 squares.  In the squares, draw illustrations that represent what happened in the story in order.
    • Monitor and assist

Structures: These are in past tense in order to facilitate more "natural" storytelling and exposure to a variety of verb tenses.

  • New Structures: Structures that will be introduced in this story.  I intended these to be the "notes" for the day as students copy them down as well as their translations.  I limit these to three per story.  If more are necessary, I create a new story with those.
    • había [un(a)]- There was/were (a)
    • quería - wanted
    • fue a - went to
  • Recent Structures: Structures that have been introduced in previous stories, but will likely need to be reviewed.  These will be included in the actual storytelling to build upon vocabulary and structures that have already been acquired and/or need more repetitions.
    • se llamaba - him/erself called s/he (he called himself)
    • era - (S/he) was
    • tenía - had
PQA:These are in present tense to facilitate normal conversation.

  • Hay un(a): Structures that do not lend themselves to the various forms listed below are worked into personalized questions in other ways which are noted.
    • action - hand over eye and point to something An action is added to most important words through the TPR method and used throughout stories and communication to facilitate comprehensible input
    • Have students stand up and tell them "Hay un(a) chic@."
    • After this is done a few times, ask it as a question: "¿Hay un(a) chic@?" and students reply with "Sí" or "No."  Model correct answer in a complete sentence.
    • Expand to ask ¿Qué hay? and have students respond with "chic@" or "Hay un(a) chic@."  Model correct response.
    • Expand to other easy objects (cognates/basic words) with props or pictures (dog, cat, elephant, banana, etc., first asking yes or no questions and progressing to open-ended questions.
  • Quiere: 
    • Action - palms up wiggling fingers
    • Question/responses:Most structures are manipulated into a present tense question (you form), a correct response pattern (I form), and how I will report student responses to the class (3rd person).  I write the following on the board, model them, and translate them briefly with the class.
      •  ¿Qué / quier/es? = What/want/you? (What do you want?)
      • Shouting/calling to someone I add a chant or song to the question so that the entire class can ask it together.  I recommend repeating the phrase at least twice so students can join in on the second one if they miss the first time.
      • Quier/o________. = Want/I _______. (I want...)
      • Quier/e_______. = Wants/ s/he ______. (S/he wants...)
    • Through a process of adding a chant/song to the question and allowing the entire class to participate, students are asked the question, allowed to create a personalized response, and the response is then reported to the class.  The class responds chorally to what the person said.  For example:
      • Chant the question (¿Qué quieres?) two times, and point to a student.  Ask "¿Qué quieres?"
      • Student responds: "Quiero...."
      • Report to the class: "(name) quiere...."
      • Class responds
  • Va a:
    • Action: sweep hand away with "V" fingers
    • Question/response
      • ¿Adónde vas? = To where go you?
      • Watch Señor Wooly's "¿Adónde vas?" Occasionally, I will include resources I find helpful for teaching these phrases.
      • Sing (like Señor Wooly video): "¿Adónde vas? ¿Adónde, adónde vas?"
      • Voy a_____. = I go to...
        • Prompts: "Voy a WalMart/McDonald's/Disneylandia."For when students get stuck trying to respond, I model "sample" answers they can either copy or manipulate
      • Va a______. = S/he goes to...

Story: This is a story template limited to only the structures students have already learned.  Rather than telling this exact story, I “ask” the story and students personalize the details.  Then, “circling” questioning techniques are used to review the details and get in many repetitions for students.  English translations are in italics after each paragraph.   Again, these stories are in past tense so that students are exposed to all verb tenses.  We shelter vocabulary, not grammar!

Había un elefante.  El elefante se llamaba Tiny.  Tiny era un elefante muy, muy grande.  Había un problema.  Tenía dos bikinis azules, pero quería un bikini rosado.  No tenía un bikini rosado.  Era un problema grande.
There was an elephant.  The elephant called himself Tiny. Tiny was an elephant that was very, very big.  There was a problem.  He had two blue bikinis, but he wanted a pink bikini.  He didn't have a pink bikini.  It was a big problem.

Tiny fue a Alaska.  En Alaska, había un gato.  El gato se llamaba Whiskers y era un gato pequeño.  Whiskers no tenía un bikini porque no había bikinis en Alaska.  Tiny quería un bikini.  Había un problema.
Tiny went to Alaska.  In Alaska, there was a cat.  The cat called himself Whiskers and was a little cat.  Whiskers didn't have a bikini because there weren't bikinis in Alaska.  Tiny wanted a bikini.  There was a problem.

Fue a California.  En California, había un perro que se llamaba Clifford.  Clifford era un perro grande y rojo.  Clifford tenía bikinis, pero no tenía bikinis rosadas.  Tenía bikinis negras.  Tiny quería un bikini rosado.  Había un problema.
He went to California.  In California, there was a dog that calls himself Clifford.  Clifford was a big, red dog.  Clifford had bikinis, but he didn't have pink bikinis.  He had black bikinis.  Tiny wanted a pink bikini.  There was a problem.

Fue a Hawaii.  En Hawaii, había una chica que se llamaba Suzie.  Suzie era baja, pero muy bonita.  Tenía muchos bikinis.  Tenía bikinis negros, azules, rojos, y rosados.  Tiny quería un bikini rosado.  No había un problema.  El fin.
He went to Hawaii.  In Hawaii, there was a girl that called herself Suzie.  Suzie was short, but very pretty.  She had many bikinis.  She had black, blue, red, and pink bikinis.  Tiny wanted a pink bikini.  There was not a problem.  The end.